Find out all about harmony, chord functions, substitutions, chord progressions
Chords aren’t always played in their root position, like a C major with the notes C E and G in this order. While remaining the same, the notes of the chord may change places for practical reasons that may relate… Read More »Chord Inversions
In this post I will be showing you how to make chords with extensions and how to read them. You will also find a table with examples of common chord extensions, that you are likely to come across, together… Read More »Chord Extensions
As it may happen with polychords, split chords may also imply polytonality. This type of chord is usually a chord built in thirds to which a change is made to one of its chord members and added to it. Those… Read More »Split Chords
“Drop” is a name that describes how a chord was derived from another chord. These chords are usually, but not limited to, seventh chords that are built by dropping the second highest note of that chord one octave down –… Read More »Drop Chord Voicings
The term applies to music that works within a tonal framework and uses chords that have specific functions in that tonality. The functionality of a given chord is based on where the chord “wants” to go next because a harmonic… Read More »Functional Harmony
In this post I will be giving you some tips about chord voicing. In a previous article, I have tackled this subject but, as a refresher, it refers to how the notes of a chord are distributed or placed.… Read More »Chord Voicing and the Perceived Quality of Dissonance and Consonance
It is related to the way the notes of the chord are distributed or spaced. A chord may be executed in close position (the most compact voicing), or in open position (wider spacing): We are always referring to the same… Read More »Chord Voicings
Chords are made from scale materials or pitch sets, meaning that any scale that contains the notes of a particular chord that is being used is a potential candidate to be used over it. But something to always be… Read More »Matching Scales to Chords
Chords by Thirds The first chord constructions we will be looking at are the chords stacked by thirds. These chord formations must be one of the most commonly used and, in their simplest form, they are called triads. A triad… Read More »Chord Formations – Triads and Tetrads
Harmony is a term used to describe two or more notes sounding together. When we looked at chords, you probably noticed that they are built from the bottom up just like the overtone series, forming a “vertical” structure. But harmony… Read More »What is Harmony?
A chord is a group of three or more notes played simultaneously that form the basis for harmony. Such notes come from the scale material we are using, or to which the chord notes relate to. In order to form… Read More »Chords
In music, an interval is the relative distance between two notes that can be measured in tones or steps and, in the equal temperament system that uses twelve notes, the smallest measurable unit is a half-step or a half-tone. The… Read More »Intervals
A Neapolitan chord is a major chord built on the flattened second scale degree (the super-tonic) of a major or minor scale. For example, the Neapolitan chord in the key of C major, or minor, would be a Db major chord. These chords often resolve… Read More »Neapolitan Chords
